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Night of The Living Dead in 3D - R3DUX Edition
Few films have had the cultural impact, creative influence or enduring power of George A. Romero’s Night of the Living Dead. Made independently in 1968 on a modest budget, it changed the horror genre forever, redefining the zombie film and proving that a frightening, thought-provoking feature did not need a major studio behind it to leave a permanent mark on cinema. Its influence can still be felt across horror, television, video games and popular culture. Romero’s vision of

Admin
Jul 143 min read


Andrew Murchie Joins "The Barn Part III" as Executive Producer – With Exclusive Stereoscopic 3D Sequences by EYEPOP-3D
EYEPOP-3D is proud to announce that Andrew Murchie has joined the production of The Barn Part III as an Executive Producer, with EYEPOP-3D undertaking the stereoscopic 3D conversion of key sequences for the film’s upcoming release. This exciting collaboration brings together indie horror filmmaking and hand-crafted 2D-to-3D conversion, delivering a horror experience designed to immerse audiences deeper into the terror of The Barn than ever before. DON'T MISS OUT! You can st

Admin
Mar 94 min read


Can Cost-Effective 2D-to-3D Conversion Boost the theatrical Success of a Low-Budget Film?
With audiences clearly responding to out of home premium, theatrical-only experiences, it’s worth asking: why shouldn’t indie filmmakers consider 3D as a powerful way to boost their film’s impact in cinemas?

Admin
Nov 18, 20255 min read


Is 3D the future for indie horror?
PLEASE NOTE: Please note Terrifier 3 as shown here is used as a concept only, this is not endorsed by the filmmaker nor any parties involved in the Terrifier series of films. The Terrifier: How a Microbudget Slasher Became a Global Horror Phenomenon The Terrifier films have redefined what’s possible in low-budget horror filmmaking. What began as a small indie project with a shoestring budget has grown into a cult phenomenon, proving that audiences still crave raw, visceral s

Admin
Oct 5, 20253 min read
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