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What Would 2001: A Space Odyssey Look Like in 3D?
What might 2001 look like if it were carefully converted from 2D to 3D using modern stereoscopic techniques?

Andrew Murchie
Feb 104 min read


Why We Don’t All See 3D the Same Way: Understanding Individual Differences in Stereoscopic Cinema
Anyone who has attended a stereoscopic 3D screening will have noticed a curious fact: while the film itself is identical for everyone in the auditorium, the experience of depth can vary significantly from person to person. Some viewers perceive strong, immersive depth, others see only mild dimensionality, and a small number may struggle to perceive the 3D effect at all. These differences are not flaws in the film, but rather a result of how human vision and perception vary b

Andrew Murchie
Jan 274 min read


When Hollywood Almost Went 3D: Famous Films Planned for Stereoscopic Release That Ended Up in 2D
The history of 3D cinema is filled not only with pioneering successes, but also with intriguing “what might have been” projects — films that were originally conceived, budgeted or technically prepared for stereoscopic production, yet ultimately released only in 2D. From classic Hollywood thrillers to modern blockbusters, many productions explored 3D as a creative or commercial strategy before abandoning it due to cost, technical limitations, studio caution or shifting market

Andrew Murchie
Jan 207 min read


EYEPOP-3D 2D to 3D Film Conversion Supports Trimontium Museum’s Innovation Award Win 2025
EYEPOP-3D is proud to have contributed specialist 2D-to-3D film conversion services to the award-winning VR experience at Trimontium Museum in Melrose, Scotland, which secured the Innovation Award 2025 for its pioneering use of immersive technology in heritage interpretation. The project demonstrates how existing film & video assets can be transformed through high-quality stereoscopic conversion and successfully integrated into modern virtual reality (VR) museum experienc

Andrew Murchie
Jan 143 min read


Building EYEPOP-3D: Three Years of Delivering High-Quality 2D-to-3D Conversion
Over the past three years, EYEPOP-3D has been purposefully built as a specialist 2D-to-3D conversion studio focused on one core principle: creating stereoscopic depth that aims to enhance engagement and immersion while respecting the original film. As demand grows for premium formats, re-energised catalog titles, and differentiated viewing experiences, high-quality 3D conversion continues to offer independent producers & directors a powerful and affordable way to unlock add

Andrew Murchie
Jan 122 min read


So long 2025, hello 2026
Wow what a year that has been! I don't think anyone, ourselves included would have imagined that in 2025 we would have managed to release an eyepoppingly amazing 25 3D Blu-rays in one year ! LOOKING BACK The ambition in January 2025, was to release one new 3D title per month and although we never quite managed that regularity, our average of TWO TITLES PER MONTH superseded that by a country mile! And that includes a couple of titles which are still available to download for A

Andrew Murchie
Jan 13 min read


Can Cost-Effective 2D-to-3D Conversion Boost the theatrical Success of a Low-Budget Film?
With audiences clearly responding to out of home premium, theatrical-only experiences, it’s worth asking: why shouldn’t indie filmmakers consider 3D as a powerful way to boost their film’s impact in cinemas?

Andrew Murchie
Nov 18, 20255 min read


How cost-effective 2D to 3D conversion might help turn low budget sci-fi like Primitive War into a premium, audience-pulling cinema experience
Moviegoing in 2025 is increasingly experience driven. Recent industry research and audience studies show that premium formats IMAX, RealD 3D and Dolby Cinema among them are a major motivation for people to choose theaters over home viewing. Audiences want visual and audio experiences they simply can’t reproduce at home: bigger-scale projection, high dynamic range, immersive sound, and 3D depth that turns a screening into an “event.”

Andrew Murchie
Nov 11, 20255 min read
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